![]() ![]() Think its 7 days, and watch those 3 videos. What I suggest is using the free trial period that is on the site. He has 3 videos on Gnomons site that cover the whole thing, and he is a very good teacher so it's easy to understand. So what it comes down to is station points, and the best instructor to teach it is Gary Meyer. The reason the short hand is so effective is that people aren't really going to notice if everything isn't 100% accurate in terms of the proportions.īut sometimes it's good to just have the knowledge in case you run into a problem you cant fix with the shortcuts. I ran into similar problems when I was trying to figure how perspective really worked not just the short cuts they show in most books. I think that I give too much importance to be exact, I probably just have to go ahead and draw it! Something like finding measurement points in an easy way (instead of the diagonal vanishing point). Of course, if there's an alternative to draw that car, I'd like to know it. By the way, it reminded me of Smitty, he, he. But I hate not to be precise if I can avoid it. The answer to my problem is given by the book too with this panel. The car lines vanishes to the same points as the street (so it is parallel to the buildings), so it is in theory very easy to do the drawing, but without that point I need to guess the measures eyeballing them from references and I liked to draw it with the correct proportions. What I'm drawing is a car in perspective (part of a panel I'm working on) and I'd like to use the height of one character to know the height of the car, then use that measurement to put the lenght and width in perspective to create a box to draw the car inside. It is a very useful point to do measurements. Over paper is simple to do it (well, if the VPs aren't too far apart), but in CSP, that should be even simplier, is not that easy (you need to make the canvas enormous to be able to work with it in case it is out the paper area). P.S: I'm sorry for the dropbox link I couldn't attach my pics very well here because of the limitations.Yeah, I knew that, but what I was trying to do is find this point: Once again, thank you very much for anything. I would really appreciate anyone and please take my thanks in advance as a token of appreciation, then I will make that image as an illustrations for you guys. I need a path of enlighten for my problems, I've already searched and asked my friend google but s/he didn't really get the right answers, tried to clipstudio official site as well and perform auto translate and still got nothing in return. Because by using the same 3D layers (as seen on 1st pic) bugged me with annoying revert back position.Īnyone, please help me figured these out. The problem is: Is there anyway we could possibly make multiple characters into the same perspective rulers? I tried my best but I have no clue about it. ![]() So yes, technically I could move them separately as well! I separate the models into separate 3D layers. ![]() My solutions got me into ANOTHER IMPORTANT question. The problem is : When I move the girl model and need to undo if I'm making a lil mistake, sometimes the other model revert back to its default pose. I wish to move one of the models, but are there some kind of tricks to lock or freeze the other ones? It's been bugging me since I'm using the program from the first time until now, I attached my current problems into the attachments as well.ġ. I'm new to this forum, but it's been a while since I watch and learn from this awesome forum about SAI and Clip Studio Paint! Also I want to say THANKS for everyone who translated Clip Studio Paint! You guys way too awesome!!!Īfter lurking into many threads, now I'm trying my best to ask something regarding Clip Studio Paint technical (or knowledge) skills. ![]()
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